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  • pp2021dd108 ha inviato un aggiornamento 2 anni, 7 mesi fa

    Holding the boom pole above shot ensures that the optimum pickup area of the mic is directed towards the subject's mouth, and then towards the ground – which we assume won't be generating much noise. This will give you natural-sounding dialogue, which is well-isolated from the ambience of the surroundings. In addition, the boom and mic will both be well out of the actor's way, leaving them free to roam the scene and not feel distracted by the sight of it.

    If you absolutely must boom from below, ensure you switch off any noisy air conditioners or fans that will almost certainly be picked up by your microphones in an indoor setting. When listening back, you may find dialogue more bass-heavy after being captured from beneath. This is to be expected from alternate mic positions, so be prepared for a little extra work in post production to match the tone of your other dialogue to this take.